A no for this one. Will look at rewrites, try to tighten it up a little, and see if I can send it out again.
A new story, finished last week, sent off to Clarkesworld on Saturday, got its first rejection on Monday. I do admire their speed of operation, to be honest 🙂
I finished a novella today, the fifth one in a linked series, putting the series at just over 100,000 words.
It left me in an odd mood regarding this series because it exposed something that I think has changed in my writing style. It used to be, for quite a long time, that I wrote a novel in November, then put it in a box and didn’t really look at it again. Then in 2011 a writing group I joined (and still belong to) prompted me to pull out and revise an older novel. Through slow, careful submissions I sent two complete novels through this group over the next 4 years. They grew slightly in the telling, but fundamentally each ended up about the length I thought they would be, and each took about two years to submit, beginning to end. They ended up as much much better books, incidentally.
And then came Mrs Gagarin A novel that was a series of novellas rather than a single narrative. And there came the problem.
The thing about the way I write, or a thing at least, is that I tend to change things up between draft zero that I write in November, and draft one that I submit to my writing group, to the point where it’s very rare that a word of my November novel makes it to the group, although the sense and the scene structures usually make it through. As well as physically rewriting the group, I will also change the plot, finding something that works better or is emergent in the text as important. In War Poets this was Frau Bruckner. In Fateville this was Ethan. Each influenced and lengthened the text and made the books longer but more satisfying.
The problem with doing that with a series of novellas, especially mystery novellas, is that as you add new characters and plot twists and interesting ways for the story to go, the text grows fast. The story I finished today started life as an 8,500 word short story and ended up as a 24,000 word behemoth. And also a much much better story.
This is great in terms of inspiring creativity and improving my writing, but it leads to slow progress. I’ve so far completed only 5 of the 9 stories in my original November attempt to write the Mrs Gagarin series, and it’s taken me nearly 3 years. Part of that is that the stories have grown. Part of it, though, is that I’m just… tired of writing this series. It took me a year to complete the latest Mrs Gagarin novella. Now. part of that is that I was writing other stuff at the time (a LOT of other stuff as it happens) but I was writing that other stuff in part because writing Mrs Gagarin had become a chore.
I have at least two more Mrs Gagarin stories to write at some point, but for the moment I think I’m going to gently put the series down while I work out what to do with it, so that when it comes time to write these stories they’re a treat rather than something I have to do.
And in the meantime I’ll keep writing other stories. Which is a good time to remind people that you can find a list of my latest published stuff on my website here: http://isrennie.com/index.php/latest-work
(normal accepted/rejected service will be resume when my next story with my writing group gets comments back so I can whip it into shape)
Having this blog has been a lovely thing and it great at keeping me task oriented for things like the rejection letters, but it does have the unfortunate side effect that sometimes the first thing editors see if they look at my web presence is me recording not getting published, sometimes in a tone of lamentation (I’m only human).
For that reason, and to try and gather all my stuff in one spot, I’ve set up a website at http://isrennie.com/ where info about my writing can be easily found. I’ll keep updating this, of course, I’ve still got rejections to get 🙂
My short story “Heartstrings” will be appearing in the upcoming “Triangulation” anthology for Parsec Ink. Will add more when I know it, and will obviously promote the heck out of it. Hooray!
Cosmic Roots And Eldritch Shores decided against this story, but with a very helpful note as to why. I’ll take their comments on board.
Feels like ages since I’ve updated this with anything other than a litany of negativity, so here’s something more cheerful: publication!
In the last month I’ve been published (or found out I’m being published in three different places:
My story “T-Minus” is part of the “Reading 5×5” anthology, now available from Metaphorosis Books. This is a wonderful experiment to take 5 story pitches and write 5 different stories from each of them. Mine was in the “Hard sci-fi” category, and I ended up with something I’m genuinely pleased with. You can buy a copy for yourself here: http://x1.reading5x5.com/
I’ve just had a microfiction published by 101 Words. “Matrimonial Bonds” can be viewed here: https://101words.org/matrimonial-bonds/
And finally, my story “Angels At The Border”, previously published by Metaphorosis, has been selected for the anthology “Best Vegan Science Fiction & Fantasy 2017”. I’m not vegan, but I like the idea of celebrating science fiction and fantasy that doesn’t contain the exploitation of animals, so I’m delighted to be included. I’ll be sure to gush about it when it goes on sale.
101words didn’t want this either.
Quick rejection from The Colored Lens.
I may park this one for the time being, I’ve sent it to nine places and had nine rejections, so maybe it’s just not as good as I thought it was?
Factor Four passed on this very quickly. It might not be their thing, or it might be I have unrealistic expectations about where this story can land.